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The Longmen Grottoes, located in Luoyang, Henan province, are one of the treasures of ancient Chinese Buddhist art. The grottoes began construction during the Northern Wei Dynasty(386-534)and were expanded and embellished through the Eastern Wei(534-550), Western Wei(535-556), Northern Qi(550-577), Northern Zhou(557-581), Sui(581-618), and Tang(618-907)dynasties. This extensive grotto complex features primarily Buddhist statues, complemented by sculptures of bodhisattvas, arhats, and various Buddhist-themed reliefs and inscriptions. The carvings in Longmen Grottoes are intricately detailed and uniquely styled, showcasing the remarkable achievements of ancient Chinese Buddhist art.
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Historical Background of Longmen Grottoes
The Longmen Grottoes are located between Longmen Mountain and Baima Mountain, along both sides of the Yi River in the southern suburbs of Luoyang. Since the 5th century AD, the Longmen Grottoes have become a significant center of Chinese Buddhist art. The earliest caves were constructed by Emperor Xiaowen of the Northern Wei Dynasty, and subsequent emperors and eminent monks continued to expand and embellish these grottoes over different dynasties. The Longmen Grottoes are not only a prime example of Buddhist art but also a classic representation of ancient Chinese stone carving and architectural techniques. The caves house a vast collection of stone sculptures, inscriptions, and scriptures, documenting the flourishing history of ancient Chinese Buddhism.
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Artistic Features of Longmen Grottoes
The Longmen Grottoes are renowned for their diverse artistic styles and exquisite carving techniques. The Buddhist statues within the caves range from solemn and dignified to gentle and compassionate, reflecting the evolution of Buddhist art styles across different historical periods. Particularly during the Tang Dynasty, the artistic style of Longmen Grottoes reached its zenith, with more refined carving techniques and more vivid depictions of statues and reliefs. The grottoes also serve as unique historical records, with many inscriptions and engravings documenting the social conditions and religious thoughts of the time, providing valuable insights for the study of ancient Chinese history. (Zhao Hanqing & Yang Jiaxin)